Individuals have been getting sticks to beat each other since days of yore, however the joong bong, the Korean Middle staff, is something truly uncommon in the realm of combative techniques. This is the most ordinarily shown weapon in the Korean military craft of Kuk Sul Won, bong however competitions and convenience have brought the hand to hand fighting into different fields, as Tae Kwon Do.
I got my first glance at joong bong procedure a couple of years prior, when I was talking with one of the high level understudies at a Kuk Sool Won school in Milwaukee. She was giving me the overview on the fundamental kicking and striking procedures utilized when something got my attention. Close to the fans and spears, the vast majority wouldn’t have given the unattractive stick a subsequent look, yet I could tell from the wear that this was a weapon that numerous understudies had prepared with.
The joong bong itself differs relying upon the school and the inclination of the client. Typically, it is put together with wood or rattan and measures among 2 and half to three feet in length. My companion referenced that some big shots like their staff to be put together with metal, and after I did a couple of passes with it, it checks out; as far as rehearsing, the heavier the stick is, the better the exercise you’ll get.
She clarified that the hand to hand fighting weapon was the moderate measured staff that numerous understudies got going with, and is one of the more straightforward weapons to dominate in the domain of Korean combative techniques. She, when all is said and done, had begun with the joong bong, and however she had advanced to an authority of a few different weapons, the joong bong stayed one of her top choices. As I watched, she exhibited a portion of the moves related with this antiquated weapon.
The joong bong is held toward one side, rather than in the middle. My companion stressed that that this is utilized principally for striking and accordingly, the tip ought to be focused on the rival’s neck for greatest adequacy. Gradually, she took me through the four fundamental striking procedures that make up her joong bong practice and afterward she sped it up. As I watched in stunningness, she turned into the focal point of a spinning storm, the sluggish activities she had been showing transforming into a savage eruption of movement.
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